This mixed media collage on paper is called The Red Bird. It’s a simple collage that I made in my sketchbook. I took photos of the process as I went along; you can see the collage develop step-by-step in the images below.
I started this collage by making an abstract print in my sketchbook. I often start like this because it jump-starts my imagination.
It’s easy to make these abstract prints: all you do is slap some wet paint on a piece of paper and then press it face down in your sketchbook. Pull the wet paper off and you have a beautiful abstract print to use as a starting point for a painting or collage.
What I like to do to get started is look at the print to what I can see in it. It’s sort of like looking at clouds. In this case, the first thing that jumped out at me was that there was a white shape in the middle that looked like a bird of some sort. And there were also some shapes that looked like branches.
So I started out with a fine-tip black felt pen and just traced the bird and branch shapes. Then I started to see the outline of a person behind the bird, so I traced around that with a thicker felt pen.
The large shape behind the person came about simply by doing a “connect the dots” line around the outside of the print. I literally just connected the little paint dots without thinking about what the shape might turn out like.
At this step I’ve also started filling in some of the negative shapes with solid black in order to provide some form to the red figure.
Next I decided to work on the large white shape on the left. I took my original printing paper (the cast-off piece) and cut out a shape that approximated the white shape on my page.
After placing it down, I found that I didn’t like the way it looked, so I tore it into a few pieces and then experimented with those pieces to find a placement that I liked.
I ended up using
the top part of the collage material and turning it on a bit of an angle. The shape looked like an eagle or some kind of vulture to me, and I liked the way the way the red shape repeated the shape of the black line above it.
After being pleased with the placement of the red shape, I glued it down and then went to town doing more drawing on top of it. At a certain point it started to look way too busy: I felt the patterning of the line drawing (top left in image) competed with my intended focal point of the person and little bird.
There’s always a point in any collage where I think “oh no, I’ve wrecked it!” I’ve learned not to panic when that happens, because usually the “mistake” turns out to be one of the most interesting parts of the image.
That’s exactly what happened here. I wanted to get rid of that “wrecked” area, so I peeled the collage bits off and then tried to obliterate the black lines by covering them with white oil pastel. The oil pastel didn’t completely cover the black lines, but it did tone them down.
After applying white oil pastel to the black lines, I decided to fill in some of the negative shape with black ink. You can see that in the image at left. By placing a black shape behind and around the main shape, I defined the shape and made it pop.
When I stood back and looked at the image I realized that my “mistake” had actually turned out to be one of the most intriguing parts of the entire collage.
